The bedroom exemplifies the notion of “sensual simplicity” in its pared- back, modern aesthetic and monochrome color scheme. Its use of simple but rich natural materials, however, belies its monastic appearance. The lamps and the side tables are all by Christian Liaigre. The piece of art on the wall is by Pavlos Dionyssopoulos.
Before Frederic established his own architectural practice, he worked for a number of very prestigious architects, including a couple of years with Jean Nouvel—“architects all dressed in black”—and a longer spell with Philippe Starck. “I loved working for him. I learnt so many things. He’s really a smart guy. His level of detail is very high.” Ultimately, however, Frederic found that for him “the essence of architecture is really ‘home.’ My main reference is more a shelter than a tower.” He explains, “This is where I found poetry … in simple things.” Although he found Starck’s ideas-driven approach to architecture impressive, and even touching at times, Frederic found materiality, simplicity, and sensuality more fundamentally important in the end than novelty. “I see my work mostly in creating soft places, to protect people from [the world] outside,” he explains, clarifying that this refers to projects in cities where the information overload and pace of change erode peace of mind. “I try to create environments where you feel peaceful, with your family, friends or alone, where you can be yourself, disconnect from all that, and take a breath.”
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